Script is God…
Producer’s Point of
View:
“We need to make a good film. You know a total blockbuster.
What was the name of that movie… arre woh
hero jismein building to building jump karta hai! Something of that sorts.
I want a script which beats action of every blockbuster till date. And I want
the same building jumper guy in my film! And an item number which of course
would be an absolutely essential part of the film.”
Director’s Point of
View:
“Script-vipt sab thik
hai…but I make the movie what it is. Anyone can come up with a good story.
But it is the craft of making the script in to a full-fledged film that
matters! Any so-called superstar can jump from building to building. But how I
make the jumping look different from other movies is what makes or breaks the
movie. I know the masses and I know what they want!”
The ‘Superstar’s
Point of View:
“I learnt how to jump from one building to another for my
last film. True Oscar-winning acting skills and determination right there!”
Superstar’s PR’s
Point of View:
“Forget all the jumping, hope the new movie has some good actress.
It has been long since an affair story went in to the market for my client. How
else will he dismiss all the ‘rumors’ and call it ‘unnecessary gossip’? I mean
serious acting and action aint gonna get any publicity for this movie in any
way!”
Superstar’s Rival
Superstar’s Point of View:
“I hope the critics trash the movie even before it releases!
And boy I gotta add a building jumping sequence in my next film. It is high time
that I do something different and off-beat!”
Actress’s Point of
View:
“They do not make any more female-oriented films these days!
But at least I will get to do two dance numbers, one chase sequence to showcase
my talent and an emotional scene to confirm my nomination in all the award
shows this year. I wish they would ditch the item number idea though. All the
focus would be taken off of me!”
Item Girl’s Point of
View:
“The song is an integral part of the film. Very crucial to
take the script ahead. Right after this song the hero starts to jump around all
the buildings. And the director is a very good friend of mine so I agreed to do
this number. Did I mention the item song is an integral part of the script?”
Technician/ Crew
Member’s Point of View:
“So many cables, such security, numerous hassles and all
this on a tight budget! Why can’t these actors act instead of jumping around
all the buildings?”
An Aspiring Actor’s
Point of View:
“These people have a pool of resources, money as well as
talent. Why waste it all for a so-called copied action sequence and an item
number? If given a chance, I would add so much depth to the character. I will
do background research of the character’s life, do my homework to emote his feelings
in different situations, practice my body-movements to give authenticity to the
character and discuss the scenes with various members of the crew to take their
feedback. If only I could get one chance…”
A Movie Critic’s
Point of View:
“Why am I being constantly, week after week subjected to the
same no-brainer movies with ‘inspired’ stories and non-to-inspiring action
sequences? Is it so hard to get a good script, bring on some decent and
enthusiastic actors and make a good movie? And seriously what is up with all
the roof-top jumping?!”
A Script-writer’s
Point of View:
“I have a script ready. But it lacks almost everything that
is evidently needed to make a blockbuster. Well for one thing, the script
actually comprises of a story. There are no slap-sticks, no offensive jokes, no
unessential action sequences, no item numbers, no loud music, no over-the-top
family drama, no guy taking his shirt off and no zero-figure models. But I do
have a decent story. It is an inspiring tale which I think will go well with
the youth. If an actor worth his/ her salt puts in some serious efforts with
the director’s view, I believe this script could reach the audience’s heart.”
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I know this is quite generalized representation of the film
industry (so please take it with a pinch of salt!). But this unfortunately is
the trend we see these days with our movies. To reach the 100 Crore (or the 200
Crore) club, movies rely on everything except for the script. There is ray of
hope with off-beat yet commercially successful movies like Udan, Kahani,
Talash, Barfi, English Vinglish, Special 26 and most recently Kai Po Che. At
least we seem to be nearing the stage where there is no definite distinction
between the so-called commercial cinema and art cinema. As a hardcore movie
fanatic, I just hope that we see more and more movies which have strong script,
good acting, and brilliant direction. After all, who said that entertainment
has to be a complete no-brainer? All we need is to change our point of view as
the audience!